APJ 文献データベース
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1,765 件
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B124911
Furuichi 2005
Furuichi Yasuko. “Ajia no aratana kankeisei no kōchiku ni mukete: Kokusai Kōryūkikin Ajia Sentā no katsudō [Toward the Construction of New Relationships Across Asia: The Activities of the Japan Foundation Asia Center].” “Bijutsu fōramu 21 (Bijutsu Forum 21)” 11 (February 2005): 51–56.
刊行年: 2005
著者: 古市保子
B124910
Kojima 2011
Kojima, Kaoru. “The Woman in Kimono: An Ambivalent Image of Modern Japanese Identity.” “Jissen Women's University, Aesthetics and Art History” 25 (March 2011): 1–15.
刊行年: 2011
著者: Kojima, Kaoru
B124909
Kondō 1997
Kondo Yukio. “Singularity in Plurality: The Position of the Artist in Mass Society.” In “The 33rd ‘Artists Today’ Exhibition,” 9–11. Yokohama: Yokohama Civic Art Gallery, 1997 (Venue: Yokohama Civic Art Gallery). [Exh. cat.].
刊行年: 1997
著者: 近藤幸夫
B124908
Hasegawa 1997
Hasegawa Yūko. “Degenderism.” In “De-Genderism: détruire dit-elle/il.” Translated by Stan Anderson. 19–25. Tokyo: Setagaya Art Museum, 1997 [Supplement to the exhibition catalogue with the same title].
刊行年: 1997
著者: 長谷川祐子
B124907
Nakahara 1968
Nakahara Yusuke. “Tricks and Vision.” In “Tricks and Vision,” 91. [s.l.: s.n.,] 1968 (Venues: Tokyo Gallery and Muramatsu Gallery). [Exh. cat.].
刊行年: 1968
著者: 中原佑介
B124906
Odawara 2021
Odawara Nodoka. “Naze josei no daichōkokuka wa arawarenai noka? [Why Have There Been No Great Women Sculptors?]”. “Bijutsu techō” 73, no. 1089 (August 2021): 92–97.
刊行年: 2021
著者: 小田原のどか
B124905
Kira 2021
Kira Tomoko. “Rekishi no naka no josei korekutibu to hitotohito [Hitotohito and Women’s Collectives throughout History].” In “Onna ga gonin atsumareba sara ga wareru: Kirokushū [If Five Women Get Together, A Plate Breaks],” edited by Takahashi Hikari and Kudō Haruka. 26–27. [s.l.]: Hitotohito, 2021 (Venue: Buoy). [Exh. cat.].
刊行年: 2021
著者: 吉良智子
B124904
Ma 2020
Ma Jung-Yeon. “Mikami Seiko ‘Suitcases 1993 | 2020.’” “Relations.” Published October, 2020. https://relations-tokyo.com/2020/10/01/seiko-mikami-suitcases-1993-2020-ja
刊行年: 2020
著者: 馬定延
B124903
Nagashima 2020
Nagashima, Yurie. “‘Dare mo yaranai kara, jibun de yaru shika nai’: Shashinka Nagashima Yurie ga kotoba de katari tsuzukeru riyū [Nagashima Yurie: No One Else was Doing it, so I Had to Do It Myself].” Interview by Miwa Goroku. “The Fashion Post.” Published April 21, 2020. https://fashionpost.jp/portraits/180108
刊行年: 2020
著者: Nagashima Yurie
B124902
Honma 2020
Honma Eri (Kyun-Chome). “Koe kareru made: Sanka sakka no koe.” In “Aichi Toriennāre (Aichi Triennale) Sonogo.” Special issue, “Shinchō” 117, no. 2 (February 2020): 176–177.
刊行年: 2020
著者: ホンマエリ(キュンチョメ)
B124901
Sawaragi 2019
Sawaragi Noi. “‘Āru poppu’ kara hajimeru: 80-nendai no bijutsu o megutte.” “Bijutsu techō” 71, no. 1076 (June 2019): 98–113.
刊行年: 2019
著者: 椹木野衣
B124900
Odawara and Momose 2019
“Josei āto korekutibu no genzai. Odawara Nodoka, Momose Aya taidan (zenpen) [On Female Artist Collectives Today: A Talk Between Odawara Nodoka and Momose Aya]” Shirīzu: Jendā furī wa kanō ka?, 10. “Bijutsu techō.” Published November 30, 2019. https://bijutsutecho.com/magazine/series/s21/20980
刊行年: 2019
著者: 小田原のどか, 百瀬文
B124898
Bigakkō 2019
“Bigakkōshi: Kaikō kara 2019-nen made [The History of Bigakkō from its Founding until 2019].” In “Bigakkō 1969–2019: Jiyū to jikken no akademeia [Bigakkō: Akademia of Freedom and Experimentation],” edited by Bigakkō, 54–76. Tokyo: Shobunsha, 2019.
刊行年: 2019
著者: 美学校
B124897
Okazaki 2019
Okazaki Kenjirō. “Kikoenai senritsu o kiku”. Web Chikuma. Modified August 19, 2019. https://www.webchikuma.jp/articles/-/1808.
刊行年: 2019
著者: 岡﨑乾二郎
B124896
Shimada 2019
Shimada Yoshiko. “Gendai Shichōsha Bigakkō no naritachi.” In “Bigakkō 1969–2019: Jiyū to jikken no akademeia [Bigakkō: Akademia of Freedom and Experimentation],” edited by Bigakkō. 149–153. Tokyo: Shōbunsha, 2019.
刊行年: 2019
著者: 嶋田美子
B124895
Shimizu 2018
Shimizu Kento. “Konnichi no medeiatēku (mediatheque) to insutarēshon (installation): Atogaki ni kaete.” In “Konnichiwa gijutsu to shite no bijutsu (Nice to Meet You Artechnik),” edited by Hosoya Shūhei, and Shimizu Kento, 110–117. Sendai: Sendai Mediatheque, 2018 (Venue: Sendai Mediatheque). [Exh. cat].
刊行年: 2018
著者: 清水健人
B124894
Furukawa 2018
Furukawa Mika. “Kinnen, Nihon ni okeru Kankoku bijutsu no juyō to sono ishiki [The Reception and Awareness of Korean Art in Japan in Recent Years].”. “Koria kenkyū (Ritsumeikan Journal of Korean Studies),” no. 9 (December 2018): 51–64.
刊行年: 2018
著者: 古川美佳
B124893
Umetsu 2016
Umetsu Yōichi. “Pāpurūmu no jōken [The Conditions for Parplume].” “Rear: Geijutsu hihyōshi” 36 (January 2016): 138–142.
刊行年: 2016
著者: 梅津庸一
B124892
Araki 2016
Araki Shin'ya. “Han sekkō dessan gensetsu [Discourses For/Against Cast Drawing].” In “Sekkō dessan no 100-nen [One Hundred Years of Cast Drawing].” Tsu: Mie University Press, 2016.
刊行年: 2016
著者: 荒木慎也
B124891
Fujita 2014
Fujita Naoya. “Zen’ei no zonbitachi: Chiiki āto no shomondai [Zombies of the Avant-Garde: The Problems with Locality Art].” “Subaru” 36, no. 10 (October 2014): 240–253.
刊行年: 2014
著者: 藤田直哉
B124890
Yoshioka 2014
Yoshioka Hiroshi. “Media āto to iu bunka [The Culture of Media Art].” “Bijutsu fōramu 21 (Bijutsu Forum 21)” 30 (November 2014): 125–129.
刊行年: 2014
著者: 吉岡洋
B124889
Nakamura 2014
Nakamura Fumiko. “Shitone to shite no Takano Ryūdai ‘Ore to with KJ#2 (2007)’ [Takano Ryudai's With KJ#2 as a Bed].” “Aichi Kenritsu Bitsukan kenkyū kiyō (Bulletin of the Aichi Prefectural Museum of Art),” no. 21 (March 2015): 54–63.
刊行年: 2014
著者: 中村史子
B124888
Inaga 2014
Inaga Shigemi. “‘Kanō’ to shite no hon’yaku: Tsuchida Bakusen, Kim So-un, Kajiyama Toshiyuki.” In “Kaiga no rinkai: Kindai Higashiajia bijutsushi no shikkoku to meiun (Images on the Edge: A Historical Survey of East Asian Cross-cultural Modernities).” 373–389. Nagoya: The University of Nagoya Press, 2014.
刊行年: 2014
著者: 稲賀繁美
B124887
Sawaragi 2014
Sawaragi Noi. “Gobijutsuron, dainibu rurōhen. Dai ikkai: Saikō ‘Warui basho’ zenpen.” “Bijutsu techō” 66, no. 1000 (March 2014): 174–192.
刊行年: 2014
著者: 椹木野衣
B124885
Ushiroshōji 2013
Ushiroshōji Masahiro. “Nihon gunsei to Tōnan Ajia no bijutsu [Art of Southeast Asia Under Japanese Occupation 1942–45].” “Tetsugaku nenpō” 72 (March 2013): 49–72, Fukuoka: Faculty of Humanities, Kyushu University.
刊行年: 2013
著者: 後小路雅弘
B124884
Okazaki 2013
Okazaki Kenjirō. “Intavyū (Interview): Ware, mata Āto Sutyudiumu (Art Studium) ni.” Geijutsu kyōiku towa nanika?: Yotsuya Āto Sutyudiumu (Yotsuya Art Studium) heikō mondai kara kangaeru. Accessed January 18, 2024. https://as-artandeducation-archive.tumblr.com.
刊行年: 2013
著者: 岡﨑乾二郎
B124883
Suzuki 2012
Suzuki Katsuo. “Shūdan no yume: 50-nendai o tsuranuku rekishiteki patosu [The Dream of the Collective: The Historical Pathos Running through the 1950s].” In “Jikkenjō 1950s [Test Sites 1950s],” edited by Suzuki Katsuo, Masuda Tomohiro, and Ōtani Shōgo, 10–39. Tokyo: The National Museum of Modern Art, Tokyo, 2012.
刊行年: 2012
著者: 鈴木勝雄
B124882
Kira 2011
Kira Tomoko. “Sensō bijutsuten ni okeru ‘jūgo’ no zuzō [Images of the Home Front in War Art Exhibitions].” In “20-seiki no josei bijutsuka to shikaku hyōshō no chōsa kenkyū: Ajia ni okeru sensō to diasupora no kioku. Kagaku Kenkyūhi Hojokin Kiso Kenkyū (B) Hōkokusho [Research on Women Artists and Visual Representation in 20th Century: Memory of the War and Diaspora in Asia. 2008–2010 Nendo Grant-in-Aid for Scientific Research (B) Report on the Research Achievements],” 11–29. Osaka: Kitahara Megumi, 2011.
刊行年: 2011
著者: 吉良智子
B124881
Mitsuda 2009
Mitsuda Yuri. “Nojima Yasuzō: Shashin no sonzairon [An Ontological Reading of Nojima Yasuzō’s Photographs].” In “Nojima Yasuzō Shashinshū (Yasuzo Nojima).” 153–181. Tokyo: Akaakasha (Akaaka Art Publishing), 2009.
刊行年: 2009
著者: 光田由里
B124880
Murakami et al. 2009
Murakami Takashi, Hoshina Toyomi, and Ebisawa Isao. “Nihon no bijutsu kyōiku, tettei tōron.” “Bijutsu techō” 61 (928) (October 2009): 66–75.
刊行年: 2009
著者: 村上隆, 保科豊巳, 海老澤功
B124879
Tomiyama 2009
Tomiyama Taeko. “1940-nendai senjika no Tokyo.” In “Ajia (Asia) o idaku: Gaka jinsei. Kioku to yume,” 34–40. Tokyo: Iwanami Shoten, 2009.
刊行年: 2009
著者: 富山妙子
B124877
Nishimoto 2008
Nishimoto Masami. “Gembaku kiroku shashin: Umoreta shijitsu o kenshō suru.” “Hiroshima Heiwa Kinen Shiryōkan (Hiroshima Peace Memorial Museum) chōsa kenkyūkai kenkyū hokōku” 4 (March 2008): 1-9.
刊行年: 2008
著者: 西本雅実
B124876
Sakagami 2008
Sakagami Shinobu. “80-nendaikō: 80-nendai nyūwēbu o megutte [“On the Eighties”: A Look at the New Wave of the 1980s.” In “Hikikomisen: Tokorozawa Biennāre Pure Bijutsuten (Siding Railroad: Pre-exhibition Tokorozawa Biennial of Contemporary Art),” edited by Shiina Setsu, Sakagami Shinobu, and Hōya Kaori. [Sayama]: Tokorozawa Biennāre Jikkō Iinkai, 2008 (Venue: Seibu Tetsudō Kyū Tokorozawa Sharyō Kōjō). [Exh cat.].
刊行年: 2008
著者: 坂上しのぶ
B124875
Takamine 2008
Takamine Tadasu. “Beibī Insadon (Baby Insa-dong).” In “Zainichi no koibito.” 7–18. Tokyo: Kawade Shobō Shinsha, 2008.
刊行年: 2008
著者: 高嶺格
B124874
Furihata 2008
Furihata Chikako. “Wākushoppu: Nihon no bijutsukan ni okeru kyōiku fukyū katsudō [Workshops: Education and Public Programs in Japanese Art Museums].” “Fuji Xerox Art Bulletin” 3 (August 2008): 4–33.
刊行年: 2008
著者: 降旗千賀子
B124873
Kasahara 2007
Kasahara Michiko. “Yanagi Miwa sakuhin ni miru gendai Nihon josei no ishiki: ‘Nihon no keshō bunka: Keshō to biishiki’ ni yosete [The Consciousness of Contemporary Japanese Women Seen in the Works of Yanagi Miwa].” In “Jendā shashin ron: 1991–2017 [Gender Theory in Photography 1991–2017],” 337–353. Kawasaki: Satoyamasha, 2018.
刊行年: 2007
著者: 笠原美智子
B124872
Kokatsu 2007
Kokatsu Reiko. “Nihon no bijutsukan ni okeru jendā no shiten no dōnyū o megutte [Introduction of Gender Perspective in Japanese Museums].” “Image & gender: Imēji & Jendā Kenkyūkai kikanshi” 7 (March 2007): 14–25.
刊行年: 2007
著者: 小勝禮子
B124871
Murakami 2006
Murakami Takashi. “Geijutsu de kigyō suru to iu koto.” In “Geijutsu kigyōron.” 23–74. Tokyo: Gentōsha, 2006.
刊行年: 2006
著者: 村上隆
B124870
Kokatsu 2005
Kokatsu Reiko. “Sengo no ‘zen’ei’ geijitsu undō to josei ātisuto 1950–60 nendai [Postwar Avant-Garde Art Movements and Woman Artists, 1950s–1960s].” In “Zen'ei no josei 1950–1975 [Japanese Women Artists in Avant-Garde Movements, 1950–1975],” edited by Kokatsu Reiko, and Yoshimoto Midori, 9–17. Utsunomiya: Tochigikenritsu Bijutsukan (Tochigi Prefectural Museum of Fine Arts), 2005 (Venue: Tochigi Prefectural Museum of Fine Arts). [Exh. cat.].
刊行年: 2005
著者: 小勝禮子
B124869
Iwaya 2005
Iwaya Kunio. “Takiguchi Shūzō no atarashii kisetsu: Takemiya Garō (Gallery) no shūmaku made.” In “Takiguchi Shūzō to Takemiya Garō (Shuzo Takiguchi and Gallery Takemiya),” edited by Satani Gallery. Omāju Takiguchi Shūzōten 26, 6–33. Tokyo: Satani Gallery, 2005 (Venue: Ochanomizu Gallery). [Exh. cat.].
刊行年: 2005
著者: 巌谷國士
B124868
Yoshida 2005
Yoshida Yoshie. “‘Genbaku no zu’ o seotte [With the Hiroshima Panels on My Back].” In “Yoshida Yoshie zenshigoto (The corpus of Yoshida Yoshie’s critical essays on art),” 229–251. Tokyo: Geijutsu Shoin, 2005.
刊行年: 2005
著者: ヨシダ・ヨシエ
B124867
Hariu 2002
Hariu Ichirō. “‘2002 Arun ten’ no igi: Watashi no Kankoku, Chōsen bunka kōryūshi kara [The Significance of the Areum Exhibition 2002: A History of My Personal Exchanges with South and North Korean Culture].” In “2002 Arun ten: Zainichi Korian bijutsu o kiten toshite (Areum Exhibition 2002: Arts of Korean Residents in Japan as the Origin),” edited by Areum Art Network, 6–8. [Osaka]: Areum Art Network, 2002 (Venues: Kyoto City Museum of Art, Kyoto International Community House, Art Space Niji, Kyoto Kyōiku Bunka Center). [Exh. cat.].
刊行年: 2002
著者: 針生一郎
B124866
Kawamata 2001
Kawamata Tadashi. “Mainoritī toshite no gendai bijutsu: Komyuniti no atarashii shokubai [Contemporary Art as Minority: A New Catalyst for the Community].” In “Ātoresu: mainoriti toshiteno gendai bijutsu [Artless: Contemporary Art as Minority].” 166–187. Tokyo: Film Art, 2001.
刊行年: 2001
著者: 川俣正
B124865
Takahashi 2001
Takahashi Fumiko. “Konton no naka kara: ‘Ekkyō suru onna tachi 21’ meikingu repōto [From within the Chaos: The Making of Women Breaking Boundaries 21].” “Aida” 62 (February 2001): 9–16.
刊行年: 2001
著者: 高橋芙美子
B124862
Koyamada 2000
Koyamada Tōru, “Damutaipu (Dumb Type): Jiko to tasha o meguru kōsatsu kara komyunikēshon no mirai o saguru [Dumb Type: Exploring Future Visions of Communication through Considerations of the Self and Other].” In “Jōhō no uchū to hen’yōsuru hyōgen,” edited by Kyoto Zōkei Geijutsu Daigaku (Kyoto University of the Arts). Jōhō Dezain Shirīzu [Information Design Series], vol. 6. 58–96. Tokyo: Kadokawa Shoten, 2000.
刊行年: 2000
著者: 小山田徹
B124861
Kondō 1999
Kondō Yukio. “1980-nendai no Nihon no gendai bijutsu ni miru insutarēshon to aidentitī no mondai [The Question of Identity and Installation in 1980s Japanese Contemporary Art].” In “‘Toranshijon: Henbōsuru shakai to bijutsu’ hōkokusho: Dai 32-kai Kokusai Bijutsu Hyōronka Renmei taikai: Kokusai Bijutsu Hyōronka Renmei Nihon taikai (Transition: Changing Society and Art: XXXII AICA Congress: 1998 AICA Japan Congress).” Tokyo: Bijutsu Hyōronka Renmei, 1999.
刊行年: 1999
著者: 近藤幸夫
B124860
Aoki et al. 2002
“Teidan: Ajia bijutsukan ga dekiru made[Roundtable: Towards an Asian art museum].” In “Ajia no bijutsu: Fukuoka Ajia Bijutsukan no korekushon to sono katsudō [Art of Asia: The collection and activities of Fukuoka Asian Art Museum].” Revised and Enlarged edition. 133–139. Tokyo: Bijutsu Shuppan Sha, 2002.
刊行年: 2002
B124859
Kitahara 1998
Kitahara Megumi. “Nihon no bijutsukai ni okeru ‘takaga seibetsu’ o meguru ronsō: 1997–98 [Debates Concerning ‘Mere Sexual Difference’ in the Japanese Art World, 1997–98].” “Impaction,” no. 110 (October 1998): 96–107.
刊行年: 1998
著者: 北原恵
B124858
Tomiyama et al. 1997
Tomiyama Taeko, Shimada Yoshiko, and Rebecca Jennison. “Shōgen to āto [Testimony and Art].” “Gendai shisō” 25, no. 10 (September 1997): 36–62.
刊行年: 1997
著者: 富山妙子, 嶋田美子, レベッカ・ジェニスン
B124857
Kishimoto 1997
Kishimoto Sayako. “Shiryō: Kishimoto Sayako 1983-nen sangiin senkyo seiken hōsō (NHK Rajio Hōsō) [1983 House of Councillors Party Election Broadcast (NHK Radio Broadcast)].” In “Neodada kara 21-seikigata majo e: Kishimoto Sayako no hito to sakuhin [From Neo Dada to Twenty-first-century Witch: The Person and Work of Kishimoto Sayako],” edited by “Josei to Āto” Purojekuto, 59–60. Yokohama: “Josei to Āto ” Purojekuto, 1997.
刊行年: 1997
著者: 岸本清子
B124856
Mitsuda 1997
Mitsuda Yuri. “Heijitsu no hiruma no kōen: ‘Josei no shōzō’ ten no hansei [Daytime Park on a Weekday: A Reflection on the Exhibition ‘Images of Women in Japanese Contemporary Art 1930’s–40’s’].” “Kōzō,” no.12 (October 1997): 26–36.
刊行年: 1997
著者: 光田由里
B124855
Kasahara 1997
Kasahara Michiko. “Shashin to jendā: Ishiuchi Miyako to Kamikura Yoshiko no sakuhin ni furete [Photography and Gender: Encountering the Works of Ishiuchi Miyako and Kamikura Yoshiko].” In “Bijutsu to jendā: Hitaishō no shisen [Art & Gender: The Asymmetrical Regard],” edited by Suzuki Tokiko, Chino Kaori, and Mabuchi Akiko, 359–376. Tokyo: Buryukke (Brücke), 1997.
刊行年: 1997
著者: 笠原美智子
B124854
Ohtake 1997
Ohtake Shinrō. “Uwajima bijutsu nōto (note): Furimukeba benjo [Restroom Retrospect].” “Nami” 31, no. 11 (November 1997): 34–35.
刊行年: 1997
著者: 大竹伸朗
B124853
Cai 1996
Cai Guo-Qiang. “Sai Kokkyō (Cai Guo-Qiang) shi ni kiku ‘geijutsu no kokusaika to sakka no tachiba’ [Interview with Cai Guo-Qiang: The Internationalization of Art and the Position of the Artist].” By Abe Taiga, Takeda Norihito, Takeda Masaaki, and Doi Nobuaki. “Sturm,” no. 7 (1996): 106–115.
刊行年: 1996
著者: 蔡國強
B124852
Yamaguchi 1996
Yamaguchi Katsuhiro. “Jikken Kōbō [Experimental Workshop].” In “1953-nen raito appu: Atarashii sengo bijutsuzō ga mietekita (Shedding Light on Art in Japan 1953),” edited by 1953-nen Raito Apputen Jikkō Iinkai, [Tokyo]: Meguro-ku Bijutsukan (Meguro Museum of Art), 1996, 189–196. (Venue: Meguro Museum of Art, Tokyo). [Exh. cat.].
刊行年: 1996
著者: 山口勝弘
B124851
Kuroda 1995
Kuroda Raiji. “Ajia gendai bijutsu: ‘Būmu’ no omote to ura [Behind the ‘Boom’ in Contemporary Asian Art].” “Kikan āto ekusupuresu (Art Express),” no. 6 (Spring 1995): 32–42.
刊行年: 1995
著者: 黒田雷児
B124850
Yaguchi 1995
Yaguchi Kunio. “Motomerareru kokusaisei to sōzōsei.” “Bijutsu techō” 47, no. 705 (April 1995): 110–119.
刊行年: 1995
著者: 矢口國夫
B124849
Ishiuchi 1993
Ishiuchi Miyako. “Mugen no kuro e [Toward an Infinite Black].” In “Monokurōmu [Monochrome].” 5–11. Tokyo: Chikuma Shobō, 1993.
刊行年: 1993
著者: 石内都
B124848
Yamaguchi 1992
Yamaguchi Katshiro. “Eizō e ridatsushite yuku sekai: Fukushima Hideko 1948–1988 [The World of Fukushima Hideko: Breaking Away, into Images].” “Bijutsu techō” 44, no. 657 (August 1992): 131–142.
刊行年: 1992
著者: 山口勝弘
B124847
Koike 1992
Koike Kazuko. “Sanagi habataku [Emerging from a Chrysalis, the Butterfly Spreads its Wings].” In “Kūkan no aura [Aura of Space].” 24–38. Tokyo: Hakusuisha, 1992.
刊行年: 1992
著者: 小池一子
B124846
Masaki 1992
Masaki Motoi. “No o hiraku kagi [How to Unlock the Outdoors].” “Bijutsu techō” 44, no. 661 (November 1992): 89–97.
刊行年: 1992
著者: 正木基
B124845
Okazaki et al. 1991
Okazaki Kenjirō, Tazaki Hideaki, and Sawaragi Noi. “Sekai no kakekin, rekishi no haitō: Sekaishi gēmu no tame no rūru bukku [World Stakes/History Shares: A Rule Book for the World History Game].” “Frame: Art & Conflict,” no. 2 (February 1991): 5–17.
刊行年: 1991
著者: 岡﨑乾二郎, 田崎英明, 椹木野衣
B124844
Taki 1988
Taki Kōji. “‘Goshin’ei’ no tanjō [The Origins of Goshin’ei].” In “Tennō no shōzō.” Iwanami Shinsho. 113–153. Tokyo: Iwanami Shoten, 1988.
刊行年: 1988
著者: 多木浩二
B124843
Ono 1988
Ono Masaharu. “Wakai gaka e no tegami.” “A & c: art & critic. Kansai no gendai geijutsu hihyōshi,” no. 4 (January 1998): 1–4. Kyoto Geijutsu Tanki Daigaku Geijutsu Bunka Kenkyūjo.
刊行年: 1988
著者: 尾野正晴
B124842
Shirakawa 1988
Shirakawa Yoshio. “Enkan no kanata e [Beyond the Circle].” In “Nihon no Dada: 1920–1970.” Tokyo: Shoritsu Kaze no Bara, 1988.
刊行年: 1988
著者: 白川昌生
B124841
Shinohara 1986
Shinohara Motoaki. “Chō shōjo shinpen uchū.” “Bijutsu techō” 38, no. 556 (August 1986): 66–71.
刊行年: 1986
著者: 篠原資明
B124840
Akiyama 1985
Akiyama Kuniharu. “Sōgetsu Āto Sentā [Sogetsu Art Center].” In “Bunka no shikakenin: Gendai bunka no jiba to pāsupekuchibu [Instigators of Culture: Fields of Influence and Perspectives of Contemporary Culture].” 445–498. Tokyo: Seidosha, 1985.
刊行年: 1985
著者: 秋山邦晴
B124839
Enomoto 1985
Enomoto Ryōichi. “Egaku koto no kairaku, miseru koto no yokubō: Irasutorēshon (Illustration) kara taburō (tableau) e”. “Bijutsu techō” 37, no. 552 (November 1985): 54–58.
刊行年: 1985
著者: 榎本了壱
B124838
Tōno 1985
Tōno Yoshiaki. “Minami Garō [Minami Gallery].” In “Bunka no shikakenin: Gendai bunka no jiba to pāsupekuchibu [Instigators of Culture: Fields of Influence and Perspectives of Contemporary Culture].” 411–444. Tokyo: Seidosha, 1985.
刊行年: 1985
著者: 東野芳明
B124837
Tatehata 1985
Tatehata Akira. “Seisei suru taburō: Gutai Bijutsu Kyōkai no 1950-nendai [Paintings emerged: The Gutai Art Association in the 1950s].” In “Kaiga no arashi 1950-nendai: Anforumeru, Gutai Bijutsu, Kobura (Action et emotion. peintures des années 50: Informel, Gutaï, Cobra),” edited by Kokuritsu Kokusai Bijutsukan (The National Museum of Art, Osaka), 14–19. [Suita]: The National Museum of Art, Osaka, 1985 (Venue: The National Museum of Art, Osaka). [Exh. cat.].
刊行年: 1985
著者: 建畠晢
B124836
Tatsuno and Kawasoe 1984
Tatsuno Toeko “Kaiga no imēji (image).” Interview by Kawasoe Tsuyoshi.“Position: Art critique magazine” 1 (October 1984): 63–65, Tokyo: Pojishon.
刊行年: 1984
著者: 辰野登恵子
B124835
Yurugi 1984
Yurugi Yasuhiro. “‘1970-nen ikō no bijutsu: Sono kokusaisei to dokujisei’ ten ni tsuite.” In “1970-nen ikō no bijutsu: Sono kokusaisei to dokujisei,” edited by Tokyo-to Bijutsukan (Tokyo Metropolitan Art Museum). Gendai bijutsu no dōkō 3, 9–11. Tokyo: Tokyo Metropolitan Art Museum, 1984 (Venue: Tokyo Metropolitan Art Museum). [Exh. cat.].
刊行年: 1984
著者: 萬木康博
B124834
Takama 1983
[Takama Jun]. “Porimōdo (poly mode) sengen” “Pelican club,” no. 13 (May 1983): 48–51, Kyoto: 21-seikisha.
刊行年: 1983
著者: 高間準
B124833
Maemoto 1983
Maemoto Shōko. “Maemoto Shōko: Watakushi o miteiru watashi.” “Bijutsu techō” 35, no. 517 (November 1983): 120–125.
刊行年: 1983
著者: 前本彰子
B124832
Saitō 1983
Saitō Yasuyoshi. “Gendai bijutsu no dōkō II: Hangeijutsuteki keikō o chūshin ni.” In “1960-nendai: Tayōka e no shuppatsu,” edited by Tokyo-to Bijutsukan (Tokyo Metropolitan Art Museum). Gendai bijutsu no dōkō 2, 11–15. Tokyo: Tokyo Metropolitan Art Museum, 1983 (Venue: Tokyo Metropolitan Art Museum) [Exh. cat.].
刊行年: 1983
著者: 斉藤泰嘉
B124831
Idemitsu 1981
Idemitsu Mako. “Muishiki o kansatsu suru [Observing the Unconscious].” “Gekkan Imēji Fōramu [Image Forum]” 2, no. 3 (January 1981): 58–65.
刊行年: 1981
著者: 出光真子
B124830
Yurugi 1981
Yurugi Yasuhiro. “1950-nendai: Sono ankoku to kōbō.” In “1950-nendai: Sono ankoku to kōbō,” edited by Tokyo-to Bijutsukan (Tokyo Metropolitan Art Museum). Gendai bijutsu no dōkō 1, 76–77. Tokyo: Tokyo Metropolitan Art Museum, 1981 (Venue: Tokyo Metropolitan Art Museum). [Exh. cat.].
刊行年: 1981
著者: 萬木康博
B124829
Usami 1980
Usami Keiji. “Enshū zemi.” In “Gendai bijutsu no kiso: 70-nendai no gendai bijutsu gakushū dokyumento (Document),” edited by Kobayashi Akio. 117–120. Osaka: Asahi Shobō, 1980.
刊行年: 1980
著者: 宇佐美圭司
B124828
Hyūga 1977
Hyūga Akiko. “Isei no moraru: Shōjo manga no miryoku [Morals from Another Planet: The Appeal of Shōjo Manga, Japanese Girls’ Comics].” “Dentō to gendai” 48 (September 1977): 30–39.
刊行年: 1977
著者: 日向あき子
B124827
Enokura 1977
Enokura Kōji. “Hanshaban to shite no kūkan.” “Bijutsu techō” 29, no. 427 (December 1977): 98–99.
刊行年: 1977
著者: 榎倉康二
B124826
Tsutsumi 1975
Tsutsumi Seiji. “Jidai seishin no konkyochi to shite [A Base for the Zeitgeist].” In “Nihon gendai bijutsu no tenbō [View of Japanese Contemporary Art],” supervised by Ōoka Makoto, Okada Takahiko, Kinokuni Ken'ichi, and Oda Katsushi. [Tokyo]: Seibu Bijutsukan (The Seibu Museum of Art), 1975 (Venue: Seibu Museum of Art). [Exh. cat.].
刊行年: 1975
著者: 堤清二
B124825
Kyoto 1973
“Kaisai ni atatte [On the Opening].” In “Kyoto Biennale 1973.” Kyoto: Kyoto-shi Bijutsukan (Kyoto City Museum of Art), 1973 (Venue: Kyoto City Museum of Art). [Exh. cat.].
刊行年: 1973
B124824
Group of Five 1973
Group of Five Photobook Editorial Committee, Equivalent Cinema, People We Know + People We Know + People We Know, Nirvāna Data Integration—The Final Art Institute, Japan Kobe Zero, and The Play. “Anatagata ni totte shūdan towa nanika? [What is collectivism for you? (Participant Data & Statements)].” In “Kyoto Biennale 1973.” Kyoto: Kyoto-shi Bijutsukan (Kyoto City Museum of Art), 1973 (Venue: Kyoto City Museum of Art). [Exh. cat.].
刊行年: 1973
B124823
Hirano 1973
Hirano Shigemitsu. “<Shūdan ni yoru bijutsu> to wa nanika? [What is Art by Collective?].” In “Kyoto Biennale 1973.” Kyoto: Kyoto-shi Bijutsukan (Kyoto City Museum of Art), 1973 (Venue: Kyoto City Museum of Art). [Exh. cat.].
刊行年: 1973
著者: 平野重光
B124822
Akutagawa 1973
“[Excerpts from the Diaries of Akutagawa (Madokoro) Saori (1953–1965)].” “Geijutsu seikatsu.” 26, no. 9 (September 1973): 15–21.
刊行年: 1973
著者: 芥川紗織
B124821
Takai 1973
Takai Ichirō. “Shōwa 48-nendo Kyoto Geidai (Kyoto City University of Arts) kyōtsū gaidansu jitsugi kyōiku ni tsuite.” “Bi” 39 (December 1973): 18–22, Kyoto: Kyoto Shiritsu Geijutsu Daigaku (Kyoto City University of Arts) Bijutsu Kyōiku Kenkyūkai.
刊行年: 1973
著者: 高井一郎
B124820
Morimoto 1973
Morimoto Iwao. “Kyoto Geidai (Kyoto City University of Arts) no kyōtsū kiso kyōiku: Gaidansu jitsugi ni tsuite.” “Bi” 39 (December 1973): 15–17, Kyoto: Kyoto Shiritsu Geijutsu Daigaku (Kyoto City University of Arts) Bijutsu Kyōiku Kenkyūkai.
刊行年: 1973
著者: 森本岩雄
B124819
Kikuhata 1972
Kikuhata Mokuma. “Fujita yo anata wa...: Taiheiyō sensō kirokuga kara no kōsatsu [Dear Foujita...: An Examination of the Pacific War Record Paintings].” “Bijutsu techō” 24, no. 353 (March 1972): 174–187.
刊行年: 1972
著者: 菊畑茂久馬
B124818
Yoshida 1972
Yoshida Yoshie. “Matsuzawa Yutaka: Yami o tōtetsu suru kyōdōtai [A Community That Penetrates the Darkness].” “Bijutsu techō” 24, no. 360 (November 1972): 26–48.
刊行年: 1972
著者: ヨシダ・ヨシエ
B124817
HRC 1971
“Haireddo Sentā (Hi-Red Center).” “Bijutsu techō” 23, no. 347 (October 1971): 70–71.
刊行年: 1971
B124816
Nakaya 1970
Nakaya Fujiko. “Kūki to mizu [Air and Water].” “Bijutsu techō” 22, no. 330 (July 1997): 105–108.
刊行年: 1970
著者: 中谷芙二子
B124815
Ōtsuji 1968
Ōtsuji Kiyoji. “Shugi no jidai wa tōzakatte [Moving Beyond the Age of Isms].” “Kamera mainichi (Camera Mainichi)” 15, no. 7 (174) (June 1968): 15–18.
刊行年: 1968
著者: 大辻清司
B124814
Adaniya 1967
Adaniya Masayoshi. “Okinawa gadan no tembō to sono shōrai: Geijutsu senshō jushō o jiten to suru.” “Shin okinawa bungaku” 5 (Spring 1967): 136–149.
刊行年: 1967
著者: 安谷屋正義
B124813
Takamatsu 1967
Takamatsu Jirō. “Sekai kakudai keikaku: Fuzaisei ni tsuite no shiron (gaisetsu) [World Expansion Plan: An Essay on Absence (An Overview)].” “Dezain hihyō” 3 (June 1967): 60–67.
刊行年: 1967
著者: 高松次郎
B124812
Miyakawa 1965
Miyakawa Atsushi. “Kage no shinnyū.” Supplement, “Bijutsu techō” 261 (December 1965): 73–76.
刊行年: 1965
著者: 宮川淳
B124811
Akasegawa 1964
Akasegawa Genpei. “‘Shihon shugi riarizumu’ ron [Theses on ‘Capitalist Realism’].” “Nihon Dokusho Shinbun” 1246 (February 24, 1964).
刊行年: 1964
著者: 赤瀬川原平
B124810
Tōno 1964
Tōno Yoshiaki. “Sayōnara Yomiuri andepandan ten [Sayonara, Yomiuri Independent].” “Bijutsu techō” 234 (April 1964): 11–14, 27.
刊行年: 1964
著者: 東野芳明
B124809
Natori 1963
Natori Yōnosuke. “Kigō to shite no shashin [Photograph-as-Sign].” In “Shashin no yomikata.” Iwanami shinsho. 46–74. Tokyo: Iwanami Shoten, 1963.
刊行年: 1963
著者: 名取洋之助
B124808
Takiguchi 1961
Takiguchi Shūzō. “Kōbo dantai wa muyō ka [Are Open-Call Exhibitions Useless?: A Comparison with the Situation of Artists in Europe and North America],” “Yomiuri shinbun,” September 20, 1961, evening edition.
刊行年: 1961
著者: 瀧口修造
B124807
Cho and Hariu 1960
Cho Yang Gyu, and Hariu Ichirō. “Kitachōsen ni kaetta Cho Yang Gyu: Sono genjitsu to kaiga/jiko to hyōgen no mondai.” “Bijutsu jānaru [Journal],” no. 15 (December 1960): 24–37.
刊行年: 1960
著者: 曺良奎, 針生一郎