A1325

草間彌生

| 1929-03-22 |

KUSAMA Yayoi

| 1929-03-22 |

Names
  • 草間彌生
  • KUSAMA Yayoi (index name)
  • Kusama Yayoi (display name)
  • 草間彌生 (Japanese display name)
  • くさま やよい (transliterated hiragana)
  • 草間弥生
Date of birth
1929-03-22
Birth place
Matsumoto City, Nagano Prefecture
Gender
Female
Fields of activity
  • Painting
  • Sculpture
  • Printmaking
  • Performance Art
  • Installation

2012
Kusama Yayoi: Eien no eien no eien (Yayoi Kusama: Eternity of Eternal Eternity), The National Museum of Art, Osaka and Museum of Modern Art, Saitama and Matsumoto City Museum of Art and Niigata City Art Museum, 2012.
2017
Kusama Yayoi: Waga eien no tamashii: Kokuritsu shin bijutsukan kaikan 10-shūnen (Yayoi Kusama: My Eternal Soul: The 10th Anniversary of the National Art Center, Tokyo), The National Art Center, Tokyo, 2017.

1989
Karia, Bhupendra, ed. “Kusama Yayoi: A Retrospective.” New York: Center for International Contemporary Arts, 1989 (Venue: Center for International Contemporary Arts). [Exh. cat.].
1998
Zelevansky, Lynn, Laura Hoptman, Akira Tatehata, and Alexandra Munroe. “Love Forever: Yayoi Kusama, 1958–1968.” Los Angeles: Los Angeles County Museum of Art, 1998 (Venues: Los Angeles County Museum of Art and The Museum of Modern Art, New York and The Walker Art Center and The Museum of Contemporary Art, Tokyo). [Exh. cat.]. [The Museum od Modern Art, New York https://assets.moma.org/documents/moma_catalogue_216_300025595.pdf].
2002
Kusama Yayoi. “Mugen no ami: Kusama Yayoi jiden.” Tokyo: Sakuhinsha, 2002 [Artits Writing].
2009
“Yayoi Kusama: Mirrored Years.” [Dijon]: Presses du Réel, 2009 (Venues: Museum Boijmans Van Beuningen and Museum of Contemporary Art, Sydney and City Gallery Wellington). [Exh. cat.].
2011
Kusama, Yayoi. “Infinity Net: The Autobiography of Yayoi Kusama.” Translated by Ralph McCarthy. Chicago: University of Chicago Press, 2011 (New York: Tate, 2011). [Artists Writing].
2012
Neri, Louise, and Takaya Gotō, eds. “Yayoi Kusama.” New York: Rizzoli, 2012 (Venue: Tate Modern). [Exh. cat.].
2015
Yamamura, Midori. “Yayoi Kusama: Inventing the Singular.” Cambridge: MIT Press, 2015.
2017
Kusama Yayoi. “Kusama Yayoi zen hanga: 1979-2017 (Yayoi Kusama prints 1979-2017).” Tokyo: Abe Shuppan, 2017 [Catalogue Raisonné].
2017
Yoshitake, Mika, Melissa Chiu, Alexander Blair Dumbadze, Alex Jones, Gloria Sutton, and Miwako Tezuka, eds. “Yayoi Kusama: Infinity Mirrors.” Washington, DC: Hirshhorn Museum and Sculpture Garden; Munich: DelMonico Books/Prestel, 2017 (Venues: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution and Seattle Art Museum and The Broad, Los Angeles and Art Gallery of Ontario and Cleveland Museum of Art and High Museum of Art, Atlanta). [Exh. cat.].
2017
Tatehata, Akira, Laura Hoptman, Udo Kultermann, and Catherine Taft. “Yayoi Kusama.” Contemporary Artists. 2nd ed., rev. and expanded. London: Phaidon Press, 2017.
2021
Rosenthal, Stephanie, ed. “Yayoi Kusama: A Retrospective.” Munich: Prestel, 2021 (Venues: Gropius Bau and Tel Aviv Museum of Art). [Exh. cat.].

Wikipedia

Yayoi Kusama (草間 彌生, Kusama Yayoi, born 22 March 1929) is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, film, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan.Kusama was raised in Matsumoto, and trained at the Kyoto School of Arts and Crafts in a traditional Japanese painting style called nihonga. Kusama was inspired, however, by American Abstract impressionism. She moved to New York City in 1958 and was a part of the New York avant-garde scene throughout the 1960s, especially in the pop-art movement. Embracing the rise of the hippie counterculture of the late 1960s, she came to public attention when she organized a series of happenings in which naked participants were painted with brightly colored polka dots. Since the 1970s, Kusama has continued to create art, most notably installations in various museums around the world.Kusama has been open about her mental health. She says that art has become her way to express her mental disease.

Information from Wikipedia, made available under theCreative Commons Attribution-ShareAlike License

VIAF ID
22415110
ULAN ID
500122518
AOW ID
_00216873
Benezit ID
B00102071
Grove Art Online ID
T097135
NDL ID
00140055
Wikidata ID
Q231121
  • 2023-02-20