- Artist
歌川国芳画
- Title
- 唐土二十四孝
- Year
- 1853年
- Medium
- 木版色摺
- Dimensions/duration
- 中判 24.8×17.4（広げた状態）, 1帖25枚
- Collection
- 神戸市立博物館Kobe City Museum
- Notes
- 風景画としての意識が強い「二十四孝童子鑑」に対して、国芳が後に手がけた「唐土廿四孝」は人物を主体としており、異国を表現する記号として明快な青空・白雲・棕櫚のような樹木などが見られますが、特定の舶来洋書を利用したような特徴ある異国風景は描かれません。<br/><BR/>全24話を収める本帖の序文には「漢土之図 和蘭肉彩尽丹青」とあります。合巻『七つ組入子枕』（嘉永6年）に、国芳が「張孝・張禮」と同構図の玉板油画の看板を描いていることなどから、油彩画あるいは玉板油絵を念頭においた洋風表現を用いて「漢土」を描くことを本シリーズの主眼としたことが読み取れます。<BR/><br/><br/>【江戸の絵画】In contrast to "Nijushiko Dojikan," which is more consciously a landscape painting, Kuniyoshi's later work, "Tang-do Hatsu-shiko" focuses mainly on people, and although clear blue skies, white clouds, and palm-like trees are seen as symbols of foreign countries, there are no distinctive exotic scenes, as in the use of specific imported Western books. <BR/><BR/>The preface to this volume, which contains 24 stories, reads, "Han-do no zu wa oran nikusai zu tanqing. In the joint volume "Nanatsugumi iriko makura" (Kaei 6), Kuniyoshi painted a signboard with the same composition as "Zhang Xiao and Zhang Ye" in jade-plate oil painting, which suggests that the main focus of this series was to depict "Han-do" using Western-style expression with oil painting or jade-plate oil painting in mind. <BR/><BR/><BR/><BR/>[Edo Paintings
- Data extracted from Bunka Isan Dētabēsu (Cultural Heritage Database) by Agency for Cultural Affairs (Bunkachō). Extracted January 21, 2022.
- 2024-12-10
- 2026-02-10