APJ A5331

ハイレッド・センター

| 1963 | 1964

HI-RED CENTER

| 1963 | 1964

Names
  • ハイレッド・センター
  • HI-RED CENTER (index name)
  • Hi-Red Center (display name)
  • ハイレッド・センター (Japanese display name)
  • はいれっどせんたー (transliterated hiragana)
  • Hi Red Center
  • Hai Reddo Sentā (transliterated Roman)
Date of birth
1963
Birth place
Tokyo
Date of death
1964
Fields of activity
  • Painting
  • Sculpture
  • Performance Art
  • Installation
  • Conceptual Art

1984
Akasegawa Genpei. “Tōkyō mikisā keikaku: Hi-Red Center chokusetsu kōdō no kiroku. Parco Picture Backs.” Tokyo: PARCO Shuppankyoku, 1984 (“Tōkyō mikisā keikaku: Hi-Red Center chokusetsu kōdō no kiroku.” Chikuma bunko. Tokyo: Chikuma Shobō, 1994).
2013
Yamada Satoshi, Mitsuda Yuri eds. “Hai Reddo Sentā: ‘Chokusetsu Kōdō’ no Kiseki Ten (Hi-Red Center: the documents of ‘Direct Action’).” [s.l.]: “Hai Reddo Sentā” Ten Jikkō Iinkai, 2013 (Venues: Nagoya City Art Museum and The Shoto Museum of Art). [Exh. cat.].

Wikipedia

Hi-Red Center (ハイレッド・センター, Haireddo Sentā) was a Japanese artistic collective, founded in May 1963 and consisting of artists Genpei Akasegawa, Natsuyuki Nakanishi, and Jirō Takamatsu, that organized and performed anti-establishment happenings.[1] Taking the urban environment of Tokyo as their canvas, the group sought to create interventions that blurred the lines between art and everyday life and raised questions about centralized authority and the role of the individual in society.[2][1] Later considered to have been one of the most prominent and influential Japanese art groups of the 1960s, Hi-Red Center never officially disbanded, but their happening Cleaning Event in October 1964 proved to be their final artistic action.

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VIAF ID
132431010
ULAN ID
500125465
Grove Art Online ID
T038237
NDL ID
00628944
Wikidata ID
Q11326192
  • 2024-03-12