- Names
- ハイレッド・センター
- HI-RED CENTER (index name)
- Hi-Red Center (display name)
- ハイレッド・センター (Japanese display name)
- はいれっどせんたー (transliterated hiragana)
- Hi Red Center
- Hai Reddo Sentā (transliterated Roman)
- Date of birth
- 1963
- Birth place
- Tokyo
- Date of death
- 1964
- Fields of activity
- Painting
- Sculpture
- Performance Art
- Installation
- Conceptual Art
- 1984
- Akasegawa Genpei. “Tōkyō mikisā keikaku: Hi-Red Center chokusetsu kōdō no kiroku. Parco Picture Backs.” Tokyo: PARCO Shuppankyoku, 1984 (“Tōkyō mikisā keikaku: Hi-Red Center chokusetsu kōdō no kiroku.” Chikuma bunko. Tokyo: Chikuma Shobō, 1994).
- 2013
- Yamada Satoshi, Mitsuda Yuri eds. “Hai Reddo Sentā: ‘Chokusetsu Kōdō’ no Kiseki Ten (Hi-Red Center: the documents of ‘Direct Action’).” [s.l.]: “Hai Reddo Sentā” Ten Jikkō Iinkai, 2013 (Venues: Nagoya City Art Museum and The Shoto Museum of Art). [Exh. cat.].
Wikipedia
Hi-Red Center (ハイレッド・センター, Haireddo Sentā) was a Japanese artistic collective, founded in May 1963 and consisting of artists Genpei Akasegawa, Natsuyuki Nakanishi, and Jirō Takamatsu, that organized and performed anti-establishment happenings.[1] Taking the urban environment of Tokyo as their canvas, the group sought to create interventions that blurred the lines between art and everyday life and raised questions about centralized authority and the role of the individual in society.[2][1] Later considered to have been one of the most prominent and influential Japanese art groups of the 1960s, Hi-Red Center never officially disbanded, but their happening Cleaning Event in October 1964 proved to be their final artistic action.
- 2024-03-12