A1982

森田子龍

| 1912-06-24 | 1998-12-01

MORITA Shiryū

| 1912-06-24 | 1998-12-01

Names
  • 森田子龍
  • MORITA Shiryū (index name)
  • Morita Shiryū (display name)
  • 森田子龍 (Japanese display name)
  • もりた しりゅう (transliterated hiragana)
Date of birth
1912-06-24
Birth place
Toyooka City, Hyōgo Prefecture
Date of death
1998-12-01
Death place
Ōtsu City, Shiga Prefecture
Gender
Male
Fields of activity
  • Calligraphy

2019
Tokyo Bunkazai Kenkyūjo (Tokyo National Research Institute for Cultural Properties). “Morita Shiryū.” Nihon Bijutsu Nenkan Shosai Bukkosha Kiji. Last modified 2019-06-06. https://www.tobunken.go.jp/materials/bukko/10563.html

日本美術年鑑 / Year Book of Japanese Art

書家の森田子龍は12月1日午後7時、心筋梗塞のため滋賀県大津市の自宅で死去した。享年86。明治45(1912)年、兵庫県豊岡市に生まれる。昭和22(1947)年上田桑鳩らと書道芸術院を創設。翌年には『書の美』を発刊、同誌は書道芸術院の機関誌的役割を果たす。また抽象画家長谷川三郎と交友を深め、同25年秋から『書の美』に絵画を含めた実験作品を公募するα部を設けて、長谷川にその選評をゆだねた。同26年に...

「森田子龍」『日本美術年鑑』平成11年版(427頁)

Wikipedia

Morita Shiryū (June 24, 1912 - December 1, 1998) was a postwar Japanese artist who revolutionized Japanese calligraphy into a global avant-garde aesthetic.He was born in Toyooka, Hyōgo, Japan with the name Morita Kiyoshi (森田清). About 1925, he adopted the art name Morita Shiryū (森田子龍). \"Shiryū\" (子龍) translates a \"dragon child\". Around 1937, he moved to Tokyo to study calligraphy under Ueda Sōkyū (上田桑鳩). In 1943, he returned home, and five years later, he moved to Kyoto City to immerse himself in its art community.He was a founding member of the Bokujinkai (‘Group of People of the Ink’), an association of calligraphy artists who envisioned to bring the art of calligraphy to the position of international prominence. He edited the monthly journal Bokubi (墨美, Beauty of Ink) from 1951 to 1981. While at the Bokujinkai, Morita launched artistic and intellectual exchange with many prominent international abstract artists including Franz Kline, Pierre Soulages, Pierre Alechinsky, and Walasse Ting.Ryu chi Ryu (Dragon Knows Dragon) from 1964 is an example of Morita's large scale (42.8 x 86 inch) calligraphic paintings that incorporate unusual materials (aluminum flake pigment in polyvinyl acetate medium, yellow alkyd varnish on paper), and are devoid of textural meaning.

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  • 2023-02-20